Flashback story of Wayang in Java
Color propertiesRed: Fire Anger AngerBlack: Earth aluamah FoodYellow: Sufia Water FunWhite: Purity Air Mutmainah
The four horses obviously paired with a four-lust, power or energy should be directed to one goal. Lust four will be useful for life if he is not be confused desires mastery. He is not a thing that should be avoided especially contested. Living in fact need the power and passion. Unbridled ego in the four-latitude in turn will encourage the attainment of a higher, namely union: Pain, represented by God Narada; Spirit Batara Respati; Lust-Batara Parasu; Budi-Batara Janaka (Arjuna); in Yourself living-Krishna (See Woodward, 1999: 281, cf. Strange,1998: 57-58).
The Pandavas themselves are often associated with the five senses at once the symbol of nature. And people love to fuse Java-madankan those traits for themselves and for the benefit of the broader pedagogical, for their children. Bima is a symbol of strength and sincerity. His meeting with him through Nawaruci is the most classic example of the later 'meruwat' shortcomings: weigh to go forward without wavering. Yudhishthira is a picture of altruism to the point of self sacrificeand ultimately greater interest. He is often stuck in the sense of 'can not say no' and so are always in need of his brothers to take decisions related to public policy.
While Arjuna, the warrior so his heart to do the cruelty behind the refinement, the character and appearance. Essentially puppet philosophical debate often open space once a caseThe most widely cited. Look Gatholoco. He asked what the older, puppeteer, puppets, screen or blencong. Ahamd Arif said screen, Abduljabar guess puppeteer and puppet Abdul Manaf said.But instead Gatholoco answer the oldest is blencong. In his explanation blencong interpreted as God's revelation, the screen is a symbol of the sport, is a true puppet and puppeteer suksmano other is the Rassulullah.
"Just move the puppet puppeteer, according to the command responders, named Kyai Sepi. Everything is quiet without, the digelas earnest, eternally never changed, no less no more, no rule without a purpose, more control over speech gestures puppet puppeteer. Who witnessedThe only Kyai life. When the light has been extinguished, all empty, no nothing, like me before birth, remained empty there is nothing. Lamp life is a revelation, like unto the Lord, the light of life, mastering yourself inside and out, down and up. Wujudmu is a manifestation of God Almighty "(in Sumardjo, 2002: 332).
The puppet khasan not merely dwell on who or what is involved in it. Three large round was in every puppet show called Strange (1998: 66) as an illustration of the process of 'spiritual evolution'.
Puppet usually began at nine. The first three hours is known as an introduction. Prologue of events, a causality that would be. People call this phase with the Pathet Nem. Nem own words and then identified with the word eNom or younger. The removal of mountains of gedhebok bananas by the mastermind is a symbol of the birth of the two, namely the inter-binary pehelaan in life.
At midnight the show will enter the Pathet Sanga. This period was associated as an adult looking at the problem, sort and assign a value to him. At this time The Punakawan appear with gojekan-gojekannya that sarcastically. Also illustrated how a character trying to solve the problem. These portrayals are usually realized with the efforts to bring themselves to self malalui tapa road, solitude and so forth.
Geertz (1981: 369) describes this effort (tapas, solitude, etc.) can not be paired with a rejection of life. What exactly is the temporary resignation or his language "... is not an escape from life, but an escape in life that praised"
because this is the true warrior ethic. The resignation thus serves to unite Yourself with the End of Reality, an attempt to negate the worldly emotions. This way energy will be focused into a great power that is useful. The choice will ultimately depend on how the characters look at the context of the problem, "... mysticism is a science that is morally neutral and can also be used per person. He brings knowledge, and science as well as ongenerally, that knowledge is power for good or evil "(Geertz: 1981: 366).
Business tapa, Nyepi and so this can actually be paired with business behind bars or better known as distansiasi in modern society. When someone questioned the mystical (which is simply trusted without any diniscayai in fikir) so he has been in the ontological space. Ontological phase, which in turn will show the actual function and role. Ethics knight playing at this level. Like Arjuna cruel in the name of necessity 'fate', each character in turn will play their respective roles and must finish the job. No one can change the weight or obligation-however naively-that unless the reformulation of the role and position earlier.
The climax is the preparation for war ageng of figures that have become knights. Pathet manyura or Peacock is the final phase of the journey. This phase begins at about three in the morning until near dawn and a description of a day old. He seemed to expose the philosophical and behind-the-silent: the conclusion of the cut end of life journey.
It is worth noting, as the play Carita, Ramayana although both bring a great epics are actually not getting the same place with the Mahabharata. The Javanese tend to prefer the latter. Mahabharata is considered a totality, each character can be said to have traveled on their own. At least this is evident from the many carangan generated while Ramayana dwell only on a large plot which is considered likely to static and linear. What is also interesting is the presence of Buto (giant) and also the Punokawan: Semar and his sons; Gareng, Petruk and Bagong.
Buto is a creature that always exist in both the Ramayana and the Mahabharata story. He has no name, not own ancestors and did not come from one kingdom. Say it sort of creature with no identity and empty her curriculum vitae. Nevertheless he was always present, there is, even when the death has been picked up.
They are at a time will come alive again and so on. Geertz explains (1981: 363) immortality is for the Javanese and then juxtaposed with images of lust that must always be excluded. Once successful does not mean forever man has been freed from it (lust). Magnis-Suseno (2001: 166-167) calls Buto function as a contrast between 'the Java instead of Java' as well as the deflection of a dark tragic Mahabharata. Technically Buto function is pengulur, insulation and keeping the scene.
Color propertiesRed: Fire Anger AngerBlack: Earth aluamah FoodYellow: Sufia Water FunWhite: Purity Air Mutmainah
The four horses obviously paired with a four-lust, power or energy should be directed to one goal. Lust four will be useful for life if he is not be confused desires mastery. He is not a thing that should be avoided especially contested. Living in fact need the power and passion. Unbridled ego in the four-latitude in turn will encourage the attainment of a higher, namely union: Pain, represented by God Narada; Spirit Batara Respati; Lust-Batara Parasu; Budi-Batara Janaka (Arjuna); in Yourself living-Krishna (See Woodward, 1999: 281, cf. Strange,1998: 57-58).
The Pandavas themselves are often associated with the five senses at once the symbol of nature. And people love to fuse Java-madankan those traits for themselves and for the benefit of the broader pedagogical, for their children. Bima is a symbol of strength and sincerity. His meeting with him through Nawaruci is the most classic example of the later 'meruwat' shortcomings: weigh to go forward without wavering. Yudhishthira is a picture of altruism to the point of self sacrificeand ultimately greater interest. He is often stuck in the sense of 'can not say no' and so are always in need of his brothers to take decisions related to public policy.
While Arjuna, the warrior so his heart to do the cruelty behind the refinement, the character and appearance. Essentially puppet philosophical debate often open space once a caseThe most widely cited. Look Gatholoco. He asked what the older, puppeteer, puppets, screen or blencong. Ahamd Arif said screen, Abduljabar guess puppeteer and puppet Abdul Manaf said.But instead Gatholoco answer the oldest is blencong. In his explanation blencong interpreted as God's revelation, the screen is a symbol of the sport, is a true puppet and puppeteer suksmano other is the Rassulullah.
"Just move the puppet puppeteer, according to the command responders, named Kyai Sepi. Everything is quiet without, the digelas earnest, eternally never changed, no less no more, no rule without a purpose, more control over speech gestures puppet puppeteer. Who witnessedThe only Kyai life. When the light has been extinguished, all empty, no nothing, like me before birth, remained empty there is nothing. Lamp life is a revelation, like unto the Lord, the light of life, mastering yourself inside and out, down and up. Wujudmu is a manifestation of God Almighty "(in Sumardjo, 2002: 332).
The puppet khasan not merely dwell on who or what is involved in it. Three large round was in every puppet show called Strange (1998: 66) as an illustration of the process of 'spiritual evolution'.
Puppet usually began at nine. The first three hours is known as an introduction. Prologue of events, a causality that would be. People call this phase with the Pathet Nem. Nem own words and then identified with the word eNom or younger. The removal of mountains of gedhebok bananas by the mastermind is a symbol of the birth of the two, namely the inter-binary pehelaan in life.
At midnight the show will enter the Pathet Sanga. This period was associated as an adult looking at the problem, sort and assign a value to him. At this time The Punakawan appear with gojekan-gojekannya that sarcastically. Also illustrated how a character trying to solve the problem. These portrayals are usually realized with the efforts to bring themselves to self malalui tapa road, solitude and so forth.
Geertz (1981: 369) describes this effort (tapas, solitude, etc.) can not be paired with a rejection of life. What exactly is the temporary resignation or his language "... is not an escape from life, but an escape in life that praised"
because this is the true warrior ethic. The resignation thus serves to unite Yourself with the End of Reality, an attempt to negate the worldly emotions. This way energy will be focused into a great power that is useful. The choice will ultimately depend on how the characters look at the context of the problem, "... mysticism is a science that is morally neutral and can also be used per person. He brings knowledge, and science as well as ongenerally, that knowledge is power for good or evil "(Geertz: 1981: 366).
Business tapa, Nyepi and so this can actually be paired with business behind bars or better known as distansiasi in modern society. When someone questioned the mystical (which is simply trusted without any diniscayai in fikir) so he has been in the ontological space. Ontological phase, which in turn will show the actual function and role. Ethics knight playing at this level. Like Arjuna cruel in the name of necessity 'fate', each character in turn will play their respective roles and must finish the job. No one can change the weight or obligation-however naively-that unless the reformulation of the role and position earlier.
The climax is the preparation for war ageng of figures that have become knights. Pathet manyura or Peacock is the final phase of the journey. This phase begins at about three in the morning until near dawn and a description of a day old. He seemed to expose the philosophical and behind-the-silent: the conclusion of the cut end of life journey.
It is worth noting, as the play Carita, Ramayana although both bring a great epics are actually not getting the same place with the Mahabharata. The Javanese tend to prefer the latter. Mahabharata is considered a totality, each character can be said to have traveled on their own. At least this is evident from the many carangan generated while Ramayana dwell only on a large plot which is considered likely to static and linear. What is also interesting is the presence of Buto (giant) and also the Punokawan: Semar and his sons; Gareng, Petruk and Bagong.
Buto is a creature that always exist in both the Ramayana and the Mahabharata story. He has no name, not own ancestors and did not come from one kingdom. Say it sort of creature with no identity and empty her curriculum vitae. Nevertheless he was always present, there is, even when the death has been picked up.
They are at a time will come alive again and so on. Geertz explains (1981: 363) immortality is for the Javanese and then juxtaposed with images of lust that must always be excluded. Once successful does not mean forever man has been freed from it (lust). Magnis-Suseno (2001: 166-167) calls Buto function as a contrast between 'the Java instead of Java' as well as the deflection of a dark tragic Mahabharata. Technically Buto function is pengulur, insulation and keeping the scene.
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