Antareja, sang Hanantareja

Raden Hanantareja, which means having a high power, which in puppetry is called Antareja, has another name Wasianantareja, Anantarareja. He is the son of the Goddess nagagini Werkudara raden, daughter Batara Antaboga, in heaven Saptapretala. Antareja married with Dewi GAnggi, daughter of King Ganggapranawa king snake in the kingdom Tawingnarmada. From this marriage was born the Aryan Danurwenda who later became governor outside (patih njaba) Yawastina country during the reign of King Parikesit..
Antareja based in kasatriyan Randuwatang or also called jangkarbumi. Along with the birth Antareja, king of countries jangkarbumi kagyangan Suralaya King Nagabaginda attack. He asked the Goddess Supreti Antaboga Sanghyang wife to be queen, but king Tribuwana not pleased, but the gods could not resist kesaktian King Nagabaginda. Finally Batara Antaboga mmusnahkan King designated order nagabaginda earlier, which was a baby Antareja finally brought his grandfather headed into battle and met with the king Jangkarbumi.

pandawa lima

 1. KING YUDHISTIRA

 King Yudhishthira the story Javanese puppetry is king jin Mertani country, a Demon Kingdom are in plain sight is a very haunted jungle. King Yudhishthira has two siblings, each named; Arya Danduwacana, which controls kesatrian Jodipati and a master Aryan Dananjaya kesatrian Madukara. King Yudhishthira also has two other mothers of twins, that is; Ditya Sapujagad residing in kesatrian Sawojajar, and Ditya Sapulebu in kesatrian Baweratalun.Prabu Yudhishthira was married to Goddess Rahina, daughter of King Kumbala, king jin Madukara country with consort Goddess Sumirat. From that marriage he obtained a princess named Goddess Ratri, which later became the wife of forest Arjuna.Ketika Mertani Pandava family conquered thanks to the miracle of the oil resources owned by Arjuna giving Bagawan Jayengkaton Wilwuk / Wilawuk, winged dragon of Pringcendani hermitage. King Yudhishthira then submit the entire country along with his wife to Puntadewa, the eldest Pandava, son of King Pandu with Kunti. King Yudhishthira then transformed or combined in the body Puntadewa, until Puntadewa title King Yudhishthira. King Yudhishthira blood white symbolizes purity.

Batara Semar

Batara Semar
MAYA is a black light. Black light in order to disguise everything.
That there was really nothing.
Actually there, it was not.
Which is not thought so.
Yang wanter (excited) her heart, lost kewanterane (spirits), for fear that a mistake.
Maya, or Ismaya, black light, also called Semar means subtle, or not clear.
In the puppet story, Semar is the son of Sang Hyang Wisesa, he was given the gift mustika astagina beads, which has 8 power, namely:
1. never hungry
2. never sleepy
3. never fall in love
4. never be sad
5. never feel tired
6. ill never
7. is never overheats
8. never cold

Karna, His life as umbal disappearance Angkaramurka

Duke Awangga Karna a king country, although the king but the king small. King is still ruled by another king (Queen rehrehan Java).
His wife's name was Dewi Surtikanti Karna, Mandaraka daughter, son of King Salyapati. Duke Children For if the puppet is two people, male and female, named Warsakusuma and Goddess Suryawati. For his patih was named Patih Hadimanggala. Many of the officials or community leaders who admired the character Karna, including my teacher. Ki Narto Sabdo. Even President Sukarno I also admire the character Karna, because history and the life of Karna was a bit strange or unique.
Karna Kunti's son Bathara Talibrata with Surya, but not by road through intercourse (intercourse), because the affected walat cast a spell or a curse caused limu Aji Kunta Wekasing Pain Without Opponent Single Word. Kunti, since the young (virgin) is pleased to learn science, including Kunti also studied the Brahmin named Reshi Druwasa, can be Science "Aji Kunta Wekasing Flavor Without Opponent Single Word", which has the power to bring the power of God only by the power mantra . Warning Teacher Druwasa. reading or chanting of science should not be done while taking a bath and / or going to bed.

Pethruk kantong bolong

Born with the name of Bambang Penyukilan, a powerful warrior who lived at the time still resonates glory Puppet World Maespati city, hundreds decade before the triumph of King Rama of Ayodhya city. It is unclear origin Bambang Penyukilan. Some say he is a descendant of the giant, the son of a powerful hermit Salantara Begawan. But the most credible person, he is a descendant of the king of Jin, King WelGeduwelBeh and empress of the nation Gandarwa.What is clear, narrated later Bambang Penyukilan grown into a powerful warrior without equal, is also rich, which raised the arrogant character, to prove that he was the most powerful in the entire World Puppet. Fate bringing with another powerful a knight named Bambang Sukati. A magic of Gandarwa nation, who happened to also have the same bragging Panyukilan.

Nobleness Kumbhakarna

Kumbhakarna is a warrior nation that lived in the giant golden age of Sri Rama King of Ayodya kingdom. Kumbhakarna father was a sage named Begawan Wisrawa, while his mother is a Goddess Kekasi, daughter of a king named Prabu Sumali. Kumbhakarna is also sister city authorities Lanka, named King Ravana.Lanka and the Ayodhya dispute was believed just a misunderstanding. Some say that anger in the city of Ayodhya to Lanka is due to Ravana kidnapped Dewi Shinta, consort of Sri Rama, the king of Ayodhya, by Ravana. But Alengka suspect that Shinta was deliberately fed to Ravana, for Ayodya enough to have a reason to attack and control the city Lanka, a country rich enough.


 

Wedding Arjuna with Srikandhi

Drupada King, King Pancalareja confronted Trusthajumena and Patih Trusthaketu. They talked about Srikandhi who left without saying goodbye. Suddenly came Patih Jayasudarga, King Paranggubarja envoy, to convey the cover letter. The envoy was told that Srikandhi away from the palace, his destination unknown. Drupada King also preached to the king's departure Srikandhi Ngamarta.

        Jungkungmardeya King, King Paranggubarja, welcoming Patih Jayasudarga. Patih tells about King Drupada answer, that Srikandhi leave the palace. Jungkungmardeya King told the retainer for help searching Heroine. King Puntadewa confronted by Werkudara, Nakul and Sahadev. Trusthajumena came to deliver a letter of notification. Then return to the country Trusthajumena Pancalareja. King Puntadewa apprise the Durpadi, that Srikandhi leave the palace. Drupadi secretly went to the Garden Maduganda.

Puppet Nation Heritage Ancestors Indonesian Philosophy

SURABAYA - Puppet taken from the word shadow is one proof of the wealth of cultural treasures of Indonesia. Various types of puppets and stories have been so widely recognized by the international community, so that UNESCO (United Nations Educational Scientific and Cultural Organization) on 7 November 2003 admitted puppet show as an amazing cultural work in the field of narrative story and a very valuable heritage (masterpieces of oral and intangible heritage of humanity). The story and the beauty of this puppet puppet can be seen in the exhibition which was held at the art gallery at the House of Sampoerna on August 15 to September 6, 2009.

            As for the puppet which will be exhibited include puppet Purwa, Gedhog, Krucil, Klitik, Thengul, Suket and puppets who appreciated the sculpture above the board teak or teak puppet. Various forms of puppet shows that there is a tendency of the desire to preserve the creations that are not tied to a single material ranging from stone reliefs, temples, palm leaves, leather, wood and Suket.

Damarwulan dilema in sandhyakala at Majapahit

Ning sandhyakala Majapahit (hereafter SNM) is a drama based on stories written by the history (of the Kingdom of Majapahit) by Sanoesi Pane. This is expressed clearly in the beginning, namely the 'word Beginning' in the manuscript. There is disclosed that the story was written based on the news in Fiber Kanda, Damar Wulan, Pararaton, and Nagarakrtagama. The manuscript was first published in the magazine Timboel year VII, number 1 / 4, 3 / 4 and 5 / 6, 1932. Then, the manuscript was published for the first time by Pustaka Jaya, Yayasan Jaya Raya, in 1971. In January 1975, the manuscript was printed a second time, and script that is used is a third printing, August 1975.

Minakjinggo Story

Tracing the story of history, there Blambangan years 700 - 1400 AD. Lack of evidence of the inscriptions make royal presence is only spread as folklore. Genealogical descent was absolutely no nobleman.
From the growing saga, there were five kings that ever reigned Blambangan. The first king Siung Manoro coming from Kediri, East Java. This figure was first entered into Alas Purwo and living in the house ruler, Mbah Dewi Roro Upas. No mention is sure how long Manoro Siung government and its relationship with the queen Alas Purwo.
The second king, Kebo Marcuet, son of a nobleman of Klungkung, Bali. Mentioned, this figure has a pair of horns. Because of this oddity, she banished her parents to Alas Purwo. In this place, he maintained a powerful RSI, Ki ajah Pamengger, who is also grandfather Minak Jinggo or Joko Umbaran, one king Blambangan.

Minakjingga_Damarwulan

In Fibre Damarwulan, whether in prose, song and Langendriyan, appear the names of such figures as Damarwulan, Menakjingga, Kencanawungu, Logender, Seta and Layang Layang Kumitir, Anjasmara, Ranggalawe, and so forth. From the whole name of the character mentioned only Ranggalawe name is known in history books as taught in schools. Regent Tuban Ranggalawe is accused of rebellion to the Majapahit. The emergence of this character in the story Damarwulan become the entry point to examine whether other figures mentioned in this story is really just a historical figure or fictional characters or purely imaginary.Ranggalawe in comic strip

Kuda lumping

Kuda lumping horse also called braid or jathilan is a traditional Javanese dance featuring a group of soldiers was on horseback. This dance is using a horse made of wicker and bamboo in the cut like a horse. Matting this horse decorated with colorful paint and fabric. Lumping horse dance is usually only shows the saber scene, but some performances will also serve lumping horse possessed attractions, immunity, and magical powers, such as the attraction of eating glass and immunity against flogging whip. Jaran braid is part of the dance performances reog. Though this dance came from Java, Indonesia, this dance is also inherited by the Javanese settled in Malaysia and Singapore.

Gambang Kromong

Kromong Gambang designation taken from the name of two percussion instrument, the xylophone and kromong. Xylophone keys which were 18 pieces, usually made of wood suangking, civil stones or other type of soft wood sounds when struck. Kromong usually made of bronze or iron, totaling 10 pieces (ten 'pencon'). Kromong Gambang orchestra is a harmonious blend between indigenous elements with Chinese elements. Physically Chinese elements appear on the strings of Tehyan, Kongahyan and Sukong, while other musical instruments are xylophone, kromong, drums, and gongs kecrek an indigenous element. Blend the two elements of culture also shows in his songs perbendarahaan. Besides the songs that show the nature of the natives as Jali-jali, Surilang, Persi, Balo-balo, Lenggang sauntered Kang, Onde-onde, Wren Ngunguk and so on, there are also songs that are clearly patterned China, both the name of the song, groove melody and lyrics such as Kong Jilok, Sipatmo, Phe Pantaw, Citnosa, Macuntay, Gutaypan and so forth.

Ondel-ondel

Ondel-ondel is to show people that there are already many centuries in Jakarta and surrounding areas, who today became the Betawi. Although the performances of such people there are in some other places like in Priangan known as Badawang, in Cirebon called Barongan Beans and in Bali called Barong Landung, but ondel-ondel have distinct characteristics. Ondel-ondel classified as a form of theater without a speech, because it was originally used as a personification of the ancestor or ancestors, safety shields and everything in the village. Thus it can be considered as carriers of the play or story, as well as "bekakak" in the ceremony of "cutting bekakak" limestone hill south of Yogyakarta city, which was held in Sapar every year.
Ondel-ondel large doll-shaped bamboo frame with a size of approximately 2.5 M, the height and diameter of less than 80 cm. Created in such a way for pemikulnya therein to move somewhat freely. Her hair is made from fibers, "bump" the Betawi people. Shaped face mask or a mask, with eye round (round) widened.

Wayang Golek

1. The originThe origins of puppet show is not known clearly because there is no complete information, both written and oral. Attendance puppet show can not be separated from the wayang kulit puppet show because it is the development of wayang kulit. However, Salmun (1986) mentions that in the year 1583 AD Holy Sunan make puppets out of wood which is then called a puppet show that can be staged in the afternoon. In line with that Ismunandar (1988) mentions that at the beginning of the 16th century Holy Sunan make build 'puppet purwo' number of 70 pieces with a story accompanied by gamelan Salendro Menak. Her performance done in the afternoon. Puppet does not require color. The shape resembles a doll made of wood (instead of leather as well as wayang kulit). So, like a doll. Therefore, referred to as a puppet show.

nDolalak

nDolalak including folk dance type that pementasannya slawatan done in pairs.
This art does not contain a story, so it is only the dance.

 
These folk dances, including old and nearly extinct, so rarely encountered.
Even groups that are now rarely held staging. Based on the statements of the parent, this art is not active because the youth are now no longer interested in the dance.
They are reluctant to learn it, so that this art can not be inherited from the old people to young children today.
The function of art is just an entertainment or spectacle as usual. The number of supporters are staging nDolalak about 34 people with the details of 28 people as a dancer, and 6 people as a musical instrument players and vocalists.
 

Trengganom

Trengganom / kuntula including folk dances of old, which until now still alive although rarely encountered.
Time of occurrence is widely known.
The informant said that this type of art has long been there and they just inherited it from their parents or grandparents alone.

 
Art is almost extinct because of the youth now seems to have no longer interested in this art, whereas the older generation too old to play.
So there is no or very few people are willing and able to continue this type of art.
Trengganom dances including dances species pairs, while the function and performance is only as spectacle / entertainment.
 
Players Trengganom there were about 40 people with the details: 10 people as a music player and vocalist, while the 30 people to become dancers.
Costume consists player and cap that are decorative (kertep), short-sleeved shirt or jersey, shorts and long socks.
 

andhe-andhe lumut

As with Sruntul, Ande-ande Lumut can be classified into the type of dance drama, for in bringing stories of the players do with dance.
The function of Ande-ande Lumut staging is mostly is to accompany the release event vow.
Nevertheless there is also a staged spectacle just as ordinary entertainment.
The play that can be played in this art is the Panji stories are taken only from the story series Ande-ande Lumut only.
To perform a complete show takes supporters as much as ± 39 people, ie 25 people to become players, 12 people became gamelan, and 2 into waranggana.

emprak

Emprak is a ballet accompanied by music that berceritera slawatan Kanjeng story of the birth of Prophet Muhammad Emprak arguably is a demonstration of the contents of the existing stories in the Book of litany.The function of art is just as entertainment Emprak or unusual spectacle. Art was born in about 1927 in the village Pleret / Mejing, Gamping, Sleman.Creator is Kyai Derpo, he was a son and a palace courtiers named Dipowedono.Number of players this artistry approximately 30 people consisting of 20 dancers and 10 women players of musical instruments or accompaniment.

tayup

This art form said to have originated from the centers of the ancient Javanese kingdom, and in fact is part of a series of safety or thanksgiving ceremony for the government leaders who will assume the new position, for example in order jumenengan (graduation), departure to the battlefield commander, and others. Tayub is a social dance but in its manifestations may be romantic and can also be erotic.In practice the guests get a gift Sampur of dancers (ledhek).Guests then danced in pairs and even then with ledhek, in tune with the accompaniment of gamelan, in accordance with gising booked.

At first execution Tayuban no more than a contest or exhibition of flexibility and skill to dance in pairs without leaving the upload-ungguh or oriental manners.But in its spread in the community then there have been irregularities that tend to lead to the assumption that tayub an art form that leads to acts that are less moral.In the middle of the village, in Yogyakarta, this dance is now generally held in a series of clean ceremonial village, namely angsung dahar to Kyai Tunggul Wulung for the safety of the village.

tari angguk

The origin

 Nod Art is one of the many kinds of folk arts in Yogyakarta Special Region. Art nod shaped dance accompanied by folk rhyme-rhyme that contains the various aspects of human life, such as: relationships in social life, manners, advice and education. In this art also recited or sung phrases that exist in the book Tlodo, which though written in Arabic script, but the songs are sung in rhythm with the crooked Java. Hymns are sung alternately between dancers and escort tetabuhan. In addition, there is one thing that is very interesting in this art, that is the player who "ndadi" or experience of trance at the time of peak pementasannya. Some people believe that the dancers head of Yogyakarta that can "ndadi" has a "talisman" obtained from the interpreter-lock pesarean Begelen, Purworejo.

tari jaipong

The Traditional Art of West Java
Jaipongan is a genre of dance that was born from the creativity of an artist from Bandung, Gugum Gumbira. Attention to folk art, one of which is Tap Tilu know and know well make it perbendaharan dance movement patterns that exist in the tradition Kliningan / Bajidoran or Tap Tilu. Opening movements, pencugan, nibakeun and several kinds of motion of several arts mincid above have enough inspiration to develop a dance or art that is now known as the Jaipongan. As a social dance, dance Jaipong successfully developed by the artist dances are popular in the community of Sunda and highly favored by the people of West Java (in particular), and even popular until outside West Java.

tari ketuk tilu

INTRODUCTION
Tap Tilu is the forerunner of social dance dance Jaipongan and entertainment as well as the usual wedding was held at the event, entertainment event events cover, or be held exclusively in a spacious place.The appearance of this dance in the community have no link with the customary or certain sacred ceremonies but purely as an entertainment show and association.Thus, the tap dance is much preferred Tilu especially in rural communities who rarely get entertainment.

 

wayang wong

In the eleventh century, the center of Javanese kingdom moved from Prambanan (Central Java) to East Java, Jenggala or Kediri. During the reign of King Airlangga, art and culture flourished. The new creation of wayang kulit (leather puppet) started (wayang Purwa is the other name of wayang kulit) the puppet were improved, also the gamelan (music instruments).

The kingdom were divided to four, each ruled by his son, namely, the kingdom of :

1. Jenggala, under king Lembu Amiluhur
2. Kediri or Daha, under king Lembu Amerdadu
3. Ngurawan, under king Lembu Mangarang
4. Singasari, under king Amijaya.

Ceremony Held Tunggul Wulung

Ceremony Held Tunggul Wulung
Community hamlet mid Sendangagung Move over again will hold Tunggul Wulung Ceremony, Friday July 9, 2010. Wulung Tunggul Procession Ceremony begins at 13:30 pm with a procession of soldiers and heritage of the village hall Sendangagung Move over to the caretaker's house Graveyard Ki Ageng Tunggul Wulung as far as approximately 2 (two) miles.
In the caretaker's house and then conducted a series of offerings and the handover of Pangarsa ubarampe soldier to the cemetery caretaker followed by a pilgrimage to the tomb Ki Ageng Tunggul Wulung. At the same time to distribute "takir sekul wuduk" to the visitors continued art tayub "Sontet Kawilujengan".
The series begins Wulung Tunggul Ceremony the day before Thursday, July 8, 2010 at 10:00 pm with the traditional feast at the location of the Tomb Wilujengan Ki Ageng Tunggul Wulung and at the cemetery caretaker's house.

Ceremony at the Sultan Palace Sekaten

Sekaten
Ceremony Sekaten Sekaten or derived from the word Syahadatain, from time to time how the pronunciation changed from Syakatain into Sekaten. Sekaten is a function to mark the birthday of Prophet Muhammad who was born on 12 months Maulud (third month of the year Java) or Rabi Beginning (month of year hijriyah). Sekaten held on the 5th of every month Mulud (Java) or Rabi Beginning (hijriyah years) in the plaza north of Yogyakarta (and also in the square Surakarta simultaneously). Sekaten a preliminary ceremony of the birth anniversary of Prophet Muhammad. This ceremony was once used by the Sultan Hamengkubuwana I (founder of keratin Yogyakarta) to invite the public to follow and embrace Islam.

Saparan ceremony wonolelo

A. Ki Ageng Wonolelo (Kyai Jumadigena) is a descendant of Sheikh Sheikh legs and feet are the descendants of King Brawijaya V who fled to Mataram. He has a kinship with Ki Ageng Gribig or Wasibagena Alit (son of the Airport White or Ki Ageng III and Princess of the Valley or Nyai Ageng Giri III) who is buried in Jatinom Klaten.This airport is the son of Jake White and Jake Dolog Dolog is the son of King UB V king Last post Majapahit kingdom. The valley is the daughter of Princess Medium Sunan Giri Sunan Giri II and II is the son of Sunan Giri Wasibagena or I who originally named Prince of Thunder. Prince Thunder is one of the third son of King Brawijaya V. thus between Wasibagena Alit with Ki Ageng Wonolelo is one keturnan yaknin same descent King UB V king of Majapahit kingdom Last post.

Ceremony of Bekakak

Ceremony of Bekakak or called Saparan Bekakak is held at Gunung Gamping in the month of Sapar. The word Saparan derives from Sapar plus suffix-an. Sapar is identical with Arabian word syafar, the second month of hijriyah. Thus, Saparan ceremony is a ceremony held in month Sapar. Prince Mangkubumi initially gave order to hold the ceremony. 

Tari Kecak

Kecak Dance - Balinese danceKecak dance which is often called "The Monkey Dance" for the tourists is a dance drama in the form of relatively new but has become a very popular show / famous and has become a must watch show for both domestic and foreign tourists. Kecak dance scenes have been promoted in several poscard, tourist guide and others.Kecak is the name is a name that is directly taken after the sound "cak, cak" which are pronounced continuously throughout the show. There are some who explains that the word or sound "cak" actually means a very important and significant in the show.

Ludruk

Ludruk is one Timuran Javanese art is quite well known, namely the art of the stage that generally all players are male. Currently, traditional ludruk groups can be found in the area of ​​Surabaya, Mojokerto, and Jombang, although its presence increasingly defeated by modernization.Ludruk is a traditional drama that was exhibited by a group of art which in gelarkan disebuah stage by taking the stories of everyday people's lives, stories of struggle and others are interspersed with jokes and accompanied by gamelan as a musical. Dialogue / monologue in ludruk are entertaining and make the audience laugh, using language typical of Surabaya, although sometimes there are guest stars from other areas such as Jombang, Malang, Madura, Madiun with a different accent. Straightforward language that is used in ludruk, making him easily absorbed by the non-intellect (pedicab driver, patrolman, angkotan driver, etc). A performance usually begins with a dance ludruk Remo and interspersed with the staging of a figure who memerakan "Mr. Sakera", a master of Madura.

Ramayana Ballet

The Plot of Ramayana Story

Ramayana Ballet is the great a must see show in Jogjakarta. The ballet is conveying the Ramayana epic and is held at the open theatre in Prambanan temple. When it is rain, the show is held on indoor theatre. With Prambanan temple as the background of the open theatre stage, the show is becoming more dramatic.The Ramayana Ballet is conducted by hundreds of dancer. The dance and and the uniform are portraying the Javanese tradition and culture. Not only dancers who are involved but also gamelan (Javanese traditional music instruments) musicians and sinden (Javanese singer with unique voicing) Here is the full plot of Ramayana.

batik

Batik is one way of making fabric. Besides batik can refer to two things. The first is the technique of coloring cloth using the night to prevent staining in part of the fabric. In the international literature, this technique is known as a wax-resist dyeing. The second notion is the fabric or clothing made with these techniques, including the use of certain motives which have peculiarities. Batik Indonesia, as the overall engineering, technology, and development-related motives and culture, UNESCO has been designated as a Cultural Heritage for Humanity Oral and Nonbendawi (Masterpieces of the Oral and Intangible Heritage of Humanity) since October 2, 2009.
EtymologyThe word "batik" is derived from a combination of two Javanese word "amba", meaning "writing" and "point" which means "point".History of batik technique

tari pendet

History PendetPendet included in this type of dance guardian, the Balinese dances are staged specifically for the purpose of religious ceremonies. This dance was created by dance artist, I Nyoman Kaler, in the 1970'sGoddard tells the story of the decline-goddess heaven to earth. Although dance is classified into different types of dance guardian but with other ceremonial dances which usually require specialized and trained dancers, anyone can dance Pendet, either already trained or who still lay, pemangkus men and women, rural women and girls. Basically in this dance the young girl just follow the movements of senior female dancer in front of them, who understand the responsibility in providing a good example. No need for intensive training.At first Pendet is a dance of worship that many exhibited at Temple, which describes the reception of the decline to the natural gods marcapada, an offering statement in the form of ritual dance. Gradually, over the development period, the artists change Pendet Balinese dance into dance "Welcome Speech", done while sprinkling flowers in front of the guests who came, like the Aloha in Hawaii. Nevertheless it does not mean Pendet so lost kesakralannya. Pendet still contain elements of the sacred-religious with religious charges include thick. And Pendet agreed born in 1950.

Reog Ponorogo and Warok

Reog is one of the cultural arts that originated from East Java and the northwest Ponorogo Reog regarded as the true home town. The city gate was decorated by the figure Ponorogo Warok and gemblak, two figures who took part during Reog demonstrated. Reog is one evidence of local culture in Indonesia is still very strong with things of a mystical and powerful mysticism.
History Reog Ponorogo
Basically there are five versions of the popular story that developed in the community about the origins and Warok Reog, but one of the most famous story is the story of the rebellion Ki Ageng lice, a royal servant during Bra Kertabumi, the last king of Majapahit in power in the century -15. Ki Ageng lice will anger the powerful influence of the Chinese colleagues in the government and its king, king of the corrupt behavior, he also saw that the power of the Majapahit kingdom will end.

Javanese gamelan, history and mystery

Traditional musical instrument called the gamelan comes from the Javanese culture, which is still preserved in the Palace of Yogyakarta and Surakarta (Solo)GAMELAN JAVA AND YOUNG

1. Arts Development KarawitanJavanese Gamelan is a set of instruments as a musical statement that is often referred to as musicians. Derived from the Javanese gamelan sauce which means complicated, convoluted, but the sauce also means smooth, beautiful, and delicious twist. The word gamelan music of Java is specifically used to refer to gamelan music, Indonesian music applying non-diatonic tones (in the barrel slendro and pelog) who claim-garapannya use notation system, sound color, rhythm, has a function, pathet and rules in the form of serving working on instrumental, vokalia and beautiful mix heard.

angklung

Angklung is a musical instrument made out of two bamboo tubes attached to a bamboo frame. The tubes are carved so that they have a resonant pitch when struck. The two tubes are tuned to octaves. The base of the frame is held with one hand while the other hand shakes the instrument rapidly from side to side. This causes a rapidly repeating note to sound. Thus each of three or more angklung performers in an ensemble will play just one note and together complete melodies are produced. Angklung is popular throughout Southeast Asia, but originated from Indonesia and it has been used and played by the Sundanese since the ancient times.

Etymology

The word Angklung originated from two words angka and lung. Angka means "tone", and lung means "broken" or "lost". Angklung then means "incomplete tone"

tari dayak kalimantan barat

History 
Dayak is the name given to natives of the island of Borneo. Borneo Island is divided by regions that regulate the Administrative area, each consisting of: the capital of Samarinda in East Kalimantan, South Kalimantan with its capital of Banjarmasin, the capital of Central Kalimantan, Palangkaraya, and West Kalimantan capital of Pontianak city.

The Dayak groups, divided again into sub-sub-tribe which numbers approximately 405 sub (by JU Lontaan, 1975). Each sub tribe Dayak in Borneo island have customs and cultures are similar, referring to the sociology kemasyarakatannya and differences in customs, culture, and language characteristics. Past society that is now called the Dayak tribe, inhabiting the coastal areas and rivers in each of their settlements.Ethnic Dayaks of Borneo according to an anthropology JU Lontaan, 1975 in book Customary Law and Customs of West Kalimantan, consists of 6 major tribes and 405 sub-tribes small, which spread across Kalimantan. Strong urbanization that brought influences from outside, such as causing them to wither away further and further into the hinterland and hills in all regions of Borneo.

Tari Serimpi Sangupati

Dance Srimpi sangopati IX Pakubuwono this work, is actually a dance work Pakubuwono IV who ruled Kraton Surakarta Sultanate in 1788-1820 with the name Srimpi sangopati sangapati word itself comes from the word 'the apathy "a term for a replacement candidate for king.
When Pakubuwono IX Kraton Surakarta Sultanate rule in the years 1861-1893, he related became Sangupati Sangapati renamed.
This is done in connection with any incidents that happened in the reign of the Dutch colonial government, he is forced to Pakubuwono IX to want to give up land to the Dutch coast of Java island. While meeting the issue of negotiations Pakubuwono IX Dutch entertain guests with dance performances Srimpi sangopati

Srimpi Anglirmendhung

There is another one which also include sacred dance, is Srimpi Anglirmendhung. Srimpi dance is thought younger than Bedhaya Ketawang. Both dances have similarities, if judging from:
a. MENDHUNG = cloud; place in the sky (= Tawang)
b. Kemanak worn as the main accompaniment instrument
c. Implementation of the dance is also divided into 3 rounds
According R.T. Warsadiningrat, Anglirmedhung is composed by
K. G. I. P. A. A. Mangkunagara Originally comprised of seven dancers, who then offered to Sinuhun Paku Buwana. But the will Sinuhun Paku Buwana IV inidirubah dance a little, become Srimpi which consists of only four dancers only
But once on kekhudusan and kekhidmatannya Bedhaya Ketawang no different, although in pergelarannya Srimpi Anglirmendhung be done anytime and anywhere. Bedhaya Ketawang only stu times a year and only in the palace, in certain places only.

tari bedoyo ketawang

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According to the book Wedhapradangga, choreographer Bedhoyo Ketawang is Sultan Agung (1613-1645) the first king of Mataram kingdom with the greatest of Kencanasari Queen, ruler of the southern ocean which is also called Queen of South. Before the dance was created, first Sultan of the Great ordered the experts to create a gendhing gamelan called Ketawang. Gendhingpun creation is said to be perfect after Sunan Kalijaga participate compile. Dance Bedhoyo Ketawang not only performed at the coronation of new king but also show once a year to coincide with the coronation day of King or "Tingalan Dalem Jumenengan".
Bedhoyo Ketawang remain displayed during the reign of Sri Paku Susuhunan Buwana to-XII (now), it's just been a shift of philosophy. Major Bedhoyo Ketawang now been amended on various aspects, even though the show order form still refers to the ritual traditions of the past. But its value has shifted into a cultural heritage that is considered worthy of artistic value to be preserved. Dance Clothing Bedhoyo Ketawang use Dodot Ageng with motives Banguntulak reason why that makes the dancers feel graceful.

Tari golek Culture Menak From Yogyakarta

Marionette Dance Menak is one type of classical dance style created by the Yogyakarta Sultan Hamengkubuwono IX. Creation Menak Marionette dance originated from the idea after seeing the sultan Menak Marionette Puppet performances are staged by a mastermind of Kedu area in 1941. Also called Marionette Beksa Menak, or Beksan Menak. Marionette puppets dance connotes Menak.

Because the Puppet People loved the culture of Sri Sultan plan to create a puppet show that is showing people dancing. To implement the idea that the Sultan in 1941 called dance experts led by KRT Purbaningrat, assisted by K.R.T. Brongtodiningrat, Prince Suryobrongto, K.R.T. Madukusumo, K.R.T. Wiradipraja, KRTMertodipuro, RW Hendramardawa, RB and RW Kuswaraga Larassumbaga.