a. MENDHUNG = cloud; place in the sky (= Tawang)
b. Kemanak worn as the main accompaniment instrument
c. Implementation of the dance is also divided into 3 rounds
According R.T. Warsadiningrat, Anglirmedhung is composed by
K. G. I. P. A. A. Mangkunagara Originally comprised of seven dancers, who then offered to Sinuhun Paku Buwana. But the will Sinuhun Paku Buwana IV inidirubah dance a little, become Srimpi which consists of only four dancers only
But once on kekhudusan and kekhidmatannya Bedhaya Ketawang no different, although in pergelarannya Srimpi Anglirmendhung be done anytime and anywhere. Bedhaya Ketawang only stu times a year and only in the palace, in certain places only.
When will be reviewed privilege Bedhaya Ketawang, lying there in terms of:
1. Options day for its implementation, which is only on emotion Anggarakasih. Not on his official performance, but also on exercises.
2. The course of dancers in time out and go into Dalem Ageng. They are always around Sinuhun with menganan direction.
3. Clothing dancer and the words in rote sindhenannya.
Clothing: They wear dodot banguntulak). As the layer below it used cindhe flower, purple, complete with a pending eyed and Bunta. Temanten makeup face makeup like a princess. Mengkureb knot bowl complete with jewelry, her jewelry, which consists of: centhung, garudha Mungkur, rapids saajar comb, and wear cundhuk mentul arrived dhadha (strands of flowers that hung from the chest to the right).
4. The words sung by suarawati floated vividly depicting seduction that can stimulate a sense of lust. From there it can be estimated that Bedhaya Ketawang can also be classified in the "fertility dance" on the temple, which describes the essence of hope to have many descendants.
5. Gamelan barreled pelog, without keprak. This is a sign that this Ketawang Bedhaya including classical.
6. Assembled taridan different role name. In the very beginning of the lane, we see the dancers sit down and dancing in the order illustrated below in
In performing this role the dancers are called:
1. Hobo
2. Endhel steady
3. Endhel weton
4. Apit ngarep
5. Apit buri
6. Apit Minister
7. Gulu
8. Dhada
9. Boncit
During the dance, of course, its structure is not fixed, but changing, according to the scene represented. Only on the cover of the dance they sat lined up three-three.
In this kind of arrangement is terminated Ketawang Bedhaya performance, followed by a procession to re-enter the Dalem Ageng, also with the way around and put their right Sinuhun all.
7. Bedhaya Ketawang also be linked to astrology. We note the words included in rote singing pesindennya. Among which reads:
Anglawat akeh rabine Susuhunan, NDE,
Anglawat kathah garwane Susuhunan, NDE,
SOSOTYA gelaring mega, Susuhunan cadi kusasane latitude.
(In the Indonesian language roughly like this:
In perlawatan Susuhunan many married,
In perlawatan Susuhunan many empress,
Gems that dot the sky that stretches,
Susuhunan power, like a star.)
In this case the power Sinuhun likened bintang.Sedikit ditambahlan so-so record, that Java is also familiar with astrology, with their own names such as: latitude plow, latitude Kukusan, Gemak Tarung, Panjer Rina, Panjer afternoon (among the children before the star is also often called the "ting Landa country").
In Java, also known as rote song that says: Irim-irim Lanhjar send, Gubug Penceng anjog, wus manengah Prauke the raden, Jake Belek Maluku ing time, latitude Milky Sekti, nitih Horse Dhawuk. (Mijil)
Sacred
Ketawang Bedhaya is viewed as a dance created by the Queen of all being fine. Even people also believe that every time Bedhaya Ketawang danced, the creator is always present is always present as well and go dancing. Not everyone can see it, only those who are sensitive to just the creator appeared diri.Konon in exercises carried out, also the creator of this serig straighten oneself out-fix mistakes made by the dancers. When the eyes of ordinary people do not see it, the dancer in question just who feel kehadirannya.Dalam this case there is a suspicion, that the original Bedhaya Ketawang it is a dance in the temples.
KANGJENG Queen of South
Who is the real Queen of South Kangjeng it? Is there really a in his sincerity, or hanyadalam tale just met? This question deserves arise, because Kangjeng Queen of South, including being fine. Invisibility of his life in nature, and difficult to prove with concrete. In general, people know him only from the said words and of all stories or words of this man, when collected shall be as follows:
1. According to the general story, Kangjeng Queen of South in his youth named Dewi Retna Suwida, a daughter of Pajajaran, the son of King Mundhingsari, from the wife named Goddard Sarwedi, Sang Hyang Suranadi grandchildren, great-grandson of King Demon in Sigaluh. Singing when the princess is then fled the palace and imprisoned in the mountain Kombang. During this often appears to be imprisoned his magical power, to change a way of women to men or vice versa. The princess was not a virgin (unmarried) and became queen among the creatures all over the island of Java. The palace on the ocean floor Indonesia. This problem is not surprising, because the princess does have a bloodline from being fine.
2. Narrated further, that after becoming the queen of the princess and then earned the nickname Queen of South Kangjeng there is also a call even Nyira Kidul. And that deviate again is: Bok Diamond Queen Lara Kidul. The word comes from the rara lara, which means virgin (not married).
It is said that Retna Suwida beautiful goddess without equal that budhug illness (leprosy). To treat it must take a bath and soak yourself in a lake, on the edge of the ocean.
It is said that on one day, when going to clean the face of the princess saw the shadow of his face on the water surface. Surprised to see his face broken, the princess and then plunge into the sea and not come back to the mainland, and there goes the nature of humanity and become spiritual creatures. Another story says that while there are people who call the Queen Kangjeng Wind-angin.Sepanjang study ever done it can be concluded that the Queen of South Kangjeng menjad queen is not just spirits but also an idol resident southern coastal areas, ranging from Yogyakarta area until Banyuwangi, separated only by a village which is a local resident Danamulya Kristen.Camat Paga village explained that the coastal areas have bersesaji indigenous to the southern ocean to Nyi Rara Kidul. The offerings set in a small house built specially for this purpose (studio). Also Lumajang south coast every year held the victim for her goats and even a lot of people who came, Mr. Welter, a Dutch citizen who formerly served as the Vice Chairman of the Raad van Indie, testified that when he was a kontrolor in Kepajen, have seen an annual offering ceremony in Ngliyep , which specifically held to Nyai Lara Kidul. He showed the picture (portrait), a small house with walk in it contains a clash with offerings punjungan to Nyai Lara Kidul. A Navy officer who often hold exercises in the area Ngliyep testified that on the small island east of Ngliyep indeed there is still a small house, but just empty until now. Is this house is painted in the picture Mr. Welter, not yet certain.
an acquaintance of Malang mentioned that in 1955 there was a group of people who nenepi (go to places quiet and Kramat) in small coral islands, east of Ngliyep. One of them was his teacher. By way of their naked meditating on it. What then happens is that the teachers got a tank top, without known from whom it came from. That can be told is that thought he saw a gold house lights shining brightly once.
3. In Pacitan there keparcayaan prohibition to wearing green clothes yam (green violet), which is closely connected with Nyai Lara Kidul. If it violated the will of people will get a disaster. This is evidenced by the occurrence of a catastrophe that befell the Dutch couple and their two children. They not only do not believe in the ban, even ridicule and scorn. They went down to the beach with dressed all in green. There was something surprising, because all of a sudden a big wave coming and snatching up the return to the sea suddenly grabbed four Dutch people mentioned above.
4. A dhalang in Blitar relates that in his area to still be obeyed restrictions Kelud Kangjeng Queen of South, was wearing a green shirt. No one dared to break them.
5. Until recent times people still know what disebit "lampor", that is a matter that is deemed sebagaiperjalanan Kangjeng Queen of South, who boarded the train ride. His voice was very loud, clattering sound of a small chime and the wind blew even make the situation becomes scary. The man then yelled "Lampor! Lampor! Lampor! ", While banging on anything that can be beaten, with the intention that no retinue who missed the stop at his house, to disrupt or penetrate.
6. According to the "vision" of a pemimoin Theosophy, the American nation, not Queen of South Kangjeng male, nor female. And he said, that the Queen of South Kangjeng can be classified as the Goddess of Nature, in this case the Goddess of the Sea.
In Java the other three species are still unknown, are:
a. To the east is Kangjeng Sunan Lawu, Gods Mountain. According to the story initially was Raden Thunder, a son Majapait descent who escaped during the fall Majapait, ran up to the top Lawu;
b. To the west of Mount Merapi is Kangjeng Queen Sekar Kedhaton. Not so well-known story.
c. To the north is Krendhawahana forest, dominated by Bathari or Sang Hyang Pramoni Durga, Goddess of the Forest. According to those who never saw it, his form as reksesi. Her court always makes the most incredible sesji, is Maesalawung, because this goddess who is considered as the guardian of everything in the country.
Maesalawung or Rajaweda Rabingul given each month-end, padahari last Monday or Thursday. Diberiakan offerings in Sitinggil. Prayer is prayer in public is Buda, was rapal the spoken Arabic is a mix of Java and this is Bekakak Maesalawung offerings, made from flour, human-shaped male and female, did not dress; Badheg, wine made from palm or sugar palm, a bowl ;
Hajad was taken to the woods Krendhawahana, placed in the well is brought Gumuling.Yang ruled Suranata courtiers, servants are classified as the mutihan (scholars) who stood alone with the obligations:
a. mamberi offerings before a ceremony was held for the salvation of everything in the country.
b. mancari and take a good day or time for a kepeluan, directly submitted to Sinuhun, without the prince. This is a remnant of indigenous religious kingdom.
Conclusions about the Queen of South Kangjeng is that there is not only in fairy tales or superstition alone. This is the real thing there, but that does not termasukdalam human nature, but in the realm of invisibility (natural delicate creatures.) He is not in our nature, human. Which can break through their natural manusiatama just like Wong Agung Ganda Ngeksi course, is who can master both nature, both human nature and nature spirits. Two of nature which symbolizes a sacred duumvirate.
- Dodot banguntulak is a long cloth dark blue base color, with white in the middle.
- Bloated are the pieces of pandan leaves, croton and some other kinds of flowers interspersed.
In performing the duties of the dancers Bedhoyo Ketawang of nine dancers daughter should be in clean condition is spiritually (not in a state of menstruation). In addition, a few days sbelumnya the dancers are required to remedy fast. The composition consists of dancers Bedboyo Ketawang, Endhel, plunderer, Apit Najeng, Apit Wingking, Gulu, Enhel weton, Apit Meneng, Dadha and Buncit. Of the nine dancers, adventurer and plays a role Endhel skelter In one scene, two dancers are doing lovemaking scenes. Reviewed from the poem that was sung by Sindhen and waranggana, dance Bedhaya Ketawang describes romance between the king of Mataram by Queen Kencanasari / South. It's just all be realized in the abstract and highly symbolic. Because the dance performance aims mereaktualisasikan Bedhoyo Ketawang spiritual love affair between the King of Mataram by Queen Kencanasari then most of the offerings are placed on top of some clothes and a tray of beauty tools.
In addition to the sacred dances above the Palace Kasunanan / Pakubuwono also create other dances such as: Dance Srimpi, namely dance depicting two knights duel.
Various kinds of Srimpi: Srimpi padelori, Andong-carriage, Arjuno Mangsah, Dhempel Sangopati, Elo-elo, near to, Gambir palm, Muncar, Gandokusumo, Srimpi lobong (Ages PB IX, 1774) etc..
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